Barrios, Board Rooms, Murder, Panic!, and more…

 

Wednesday, September 30th sees the return of HISPANIC PANIC! to Nowhere, 8PM. This lineup of readers will include me, Erasmo Guerra, Maegan La Mala Ortiz, Brandon Lacy Campos, Robert Vázquez-Pacheco and cubana punk extraordinaire Cristy Road. This will be the sucker-punch to kick off Hispanic/Latino Heritage month. As for info on my other October readings, you can go to my website: http://www.firekingpress.com/ These will all be fun and FREE! 

 

 BtBR

 

 

From the Barrio to the Board Room, (Writers of the Round Table Press, 2008)

 

by Robert Renteria, as told to Corey Blake

 

 

Everyone’s heard the stale saying “don’t judge a book by its cover,” and I must admit that when I first picked up this book (on loan from Being Latino’s Lance Rios) I wasn’t sure I would like it as much as I did—I in fact came to love it. This is not a critique on the stylish book design, as it is a commentary on the type of books I generally read and often review—cultural non-fiction and original fiction. From the Barrio to the Board Room is a tightly-wound and edited memoir, told by a man with praiseworthy compassion and ambition. As a Latino man who lost his own father to chronic drug addiction and was raised by an encouraging and strong mother, Renteria’s story was haunting for me to take in—I often closed my eyes and shook my head at my own remembrances. Kudos for a story filled with moving tragedy and triumph!

 

At a time when Latinos are breaking through so many cultural barriers, this book could not have surfaced at a better time. Latinos, and working-class men in this book’s context, are commonly disabled through a lack of strong male mentors and positive, goal-oriented thinking and this is often compensated with “jailbird” bravado. Renteria’s story begins with his childhood in the impoverished East Los Angeles barrios, where at an early age he connects with other young men in his demographic through wild living, drugs, alcohol, and gangster culture. Like many of us who are more fortunate than others, Renteria had at least one forward-thinking male mentor, his grandfather Rogerio, who encouraged him to leave the slums of LA to find himself and make himself a better man—to dodge the fate the ghetto was waiting to dole out to him.

 

Following time spent in the US Army, Renteria focused on impeccable work ethic and honesty and won his first big break that saw him climb the corporate ladder. But he also witnessed the racism inherent to white, privileged male corporate culture—he was refused growth opportunity because of his Latino identity (though it was never said directly). Using this as inspiration, he set out to found his own empire. From the Barrio to the Board Room is a rags-to-riches story and beyond. It’s also about injecting compassion into corruption, to forge a new corporate culture of honesty and integrity, as any hardworking Latino would set out to do. This is a must-read for any young person who needs to read firsthand the wisdom of the book’s umbrella statement, “Don’t let where you came from dictate who you are, but let it be part of who you become.”

 

 

 alone

 

Alone in the Crowd (Henry Holt, 2009)

 

By Luiz Alfredo Garcia-Roza

 

 

Alone in the Crowd caught my eye for two reasons: one, I rarely read mysteries anymore, and two, it’s written by the acclaimed Brazilian academic behind the Inspector Espinosa series of which I occasionally hear about.  I wanted to find out if writers are breaking molds in this most predictable of fiction genres.  I was impressed! Garcia-Roza succeeds almost effortlessly in involving the inspector’s (narrator’s) past with that of the killer in the most unusual of ways—I won’t spoil it for you of course, but I’ll admit that I was caught off-guard and that I probably read the last ten pages in under a minute, so bad did I want to know what would happen. Inspector Espinosa  gets hot on the trail of a suspected homicide—in which an elderly woman is run over by a city bus in Copacabana, Rio, and is suspected of being pushed in front of it.

 

A suspect, an antisocial bank clerk, Hugo Breno , is quickly singled out and investigated. The problem is, is that he knows this too and is super-elusive and as disciplined as a Navy Seal. Inspector Espinosa is simultaneously undergoing adjustments in his open-relationship with a bisexual woman, Irene. A love-triangle of sorts develops when her beautiful friend Vânia tries to seduce him—yet fails (can’t say why). When Espinosa realizes that Hugo Breno is part of his own dark and uncertain past, the mystery begins to unravel. Although Espinosa knows that Breno is the killer—he has no evidence. That is, until the inspector’s own trauma-induced blacking-out of childhood memories undoes itself and the past rushes back to meet the present, where the inspector almost loses his life.

 

 

So quickly, before you leave me…

 

I was nominated by the Latinos in Social Media  for Best NY Latino blogger! Isn’t that great…as I love what I do regardless. The winners will be announced this Thursday, so if you could be a star and go to this link and vote for me I will love you forever, even though we’re mortal. They’re giving away a new Toshiba laptop as the prize and I could use it…like REALLY use it! Please vote for me here: http://latism.org/latism-ny/ny-awards/

 

 

xoxo Charlie

 

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Published in:  on September 30, 2009 at 1:02 AM Comments (1)

Cuentos Del Centro, Spic Chic, and Ganymede!

cuentos

Hello friends everywhere, old and new…

 

Wednesday, September 30th sees the return of HISPANIC PANIC! to Nowhere, 8PM. This lineup of readers will include me, Erasmo Guerra, Maegan La Mala Ortiz, Brandon Lacy Campos, Robert Vázquez-Pacheco and cubana punk extraordinaire Cristy Road. This will be the sucker-punch to kick off Hispanic/Latino Heritage month and boy will I be busy for that, but details to follow. This post includes reviews of three books, two of which I’ve read (Cuentos Del Centro and Spic Chic) and one that published an essay I wrote called “Teenage Transformer” (Ganymede), on how I grew into an underground culture identity, and a queer Latino one, at the same time—how they’re the same thing to me. And to be published alongside David Sedaris, Edmund White, and Oscar Wilde is nothing short of—um, psychedelic!

 

 

 

 

Cuentos Del Centro: Stories from the Latino Heartland (Scapegoat Press, 2009)

 

 

As Carlos Cumpián points out in the introduction—the writers assembled in this anthology hail from diverse places and bring their regional spices to add to the literary salsa that is Cuentos Del Centro —California, Colombia, Texas, Peru. This was a revealing volume for me to read, since I’ve only experienced Latino culture on the American coasts: Puerto Rican, Colombian, and Cuban culture on the East Coast and Mexican and Central-American in the west—with sprinklings of others. The stories in this book were composed by writers in the Latino Writers Collective in Kansas City, Missouri.

 

Chato Villalobos’s opening story “Barrio Angels” begins, “Barrio Angels. That’s how we referred to our sistas from the barrio that were on the honor roll but liked kicking it with us bad boys when their papis weren’t watching.” The tales begin here and weave through myriad experiences and perspectives, from Xánath’s Caraza’s mystical and erotic fiction account “At the Café on Huanjue Xiang Street” (It traversed her; it lightly brushed her nipples and sex until it made her lose consciousness), to the very serious and enraging “Hijo con Filo” by Miguel M. Morales, which studies the inner-world of a young field worker, whose family gets sprayed with pesticide, thanks to a cruel crop duster’s pilot.

 

Some of the stories discuss intergenerational themes (Whitney Boyd’s “No Tengas Vergùenza” and Linda Rodriguez’s “Why I Can’t Draw”); others recall toxic youth and folly (Maria Vasquez Boyd’s “Lucy in the Sky”). José Faus’s “El Regreso” is a haunting an introspective look at the longing felt for fathers who travel afar to work for too long, and Nathalie Olmsted’s “The Farmhouse” illustrates the terrifying crossroads where humanity and racism intersect, as witnessed by a Mexican family seeking refuge in a white family’s farmhouse, as tornados threaten to wreak destruction and terror on the open plains of Kansas.

 

Cuentos Del Centro features many other works I wish I could elaborate on here and is a must-read for any collector of original Latino fiction, as it’s written by very different writers in varying phases of their craft and career. I’m looking forward to more, guys!  

 

 

To purchase this book, click here: http://www.amazon.com/Cuentos-del-Centro-Stories-Heartland/dp/0979129125

 

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Luis Chaluisan’s Spic Chic (Fly by Night Press, 2009)

 

 

The rules of poetry are created by its author, much as a criminal operates both within and away from society, as he or she sees fit. Thus, it’s no wonder that so many poets past and present have dabbled in crime and write about these adventures of subculture. Luis Chaluisan’s poems are odes—both celebratory and regretful—to his experiences as a New York-born Puerto Rican surviving on the streets of New York. And I’m not talking about the well-heeled New York of today, but of the smoldering 1970s and 1980s. (I remember living in the East Tremont neighborhood of the Bronx during the late 1970s, and anyone involved in crime who survived to write about it gets instant applause for that alone.)

 

Luis “El Extreme” Chaluisan—a musician, writer, and former news reporter—is in no denial of his controversy, as spelled out in the book’s opening disclaimer statement. Although I thought I knew what I was walking into when I read this book at the Section 13 jetty of the “Bronx Riviera” recently (Orchard Beach), I was thrown for some surprises. These twenty-plus pieces range from serious (“Johnny Boy”) to whimsical (“Surfing in the South Bronx”), and Chaluisan’s greatest effectiveness is achieved when he releases his honest emotions for public viewing—which you almost don’t expect him to do (“I slide precariously alongside her path, at once tender, then off-center”, from “Carmen Baby”).

 

In “Wilfredo the Anointed Apostle”, about a gay santero barber, Chaluisan explains, “So before we crucify him with whispered nails…homo, queer, fazzy hole…stop and think…perhaps a person’s lifestyle is really a blessing, for who are we to know God’s ways and plans…when we’re walking together, people just stop and stare…but if you could see him through my eyes, he wouldn’t be a faggot but a man.” Spic Chic is an exciting tour of jazz and salsa clubs, women of pleasure, of the island, of desperate people struggling to survive—of joy and pain—but it’s also about transformation. It’s really about becoming greater and wiser than what doom had planned for your soul.

 

 

To purchase Spic Chic, click here: http://www.amazon.com/Spic-Chic-Adventures-Last-Nuyorican/dp/1930083173/ref=sr_1_1?ie=UTF8&s=books&qid=1252714904&sr=8-1

 

 Ganymede

 

Ganymede: Issue #5, Oct. 2009

 

 

I have an essay published in this issue (“Teenage Transformer”) on coming of age in inner-city Latino New York and then underground/queer culture. Ganymede is a literary/art print journal by and for gay men published quarterly in New York as a paperback book.

 

This issue:

 

–EDMUND WHITE on writing gay

–OSCAR WILDE’s delicious 1889 dialogue on art, “The Decay of Lying”

–GLENWAY WESCOTT’s rare 1928 story of a little boy going to a ball in drag

–BERGDORF BOYS by Scott Hess: first of four parts serializing a complete novel, both witty and dark, about gay party boys in New York

–TEN gay poets and EIGHT gay visual artists from around the world

–SUSAN GLASPELL’s 1917 story “A Jury of Her Peers,” now a discovered text in feminist lit

–INDIE EYE returns with tips on obscure movies to rent, including the first gay Bollywood flick!

–The Paris of Our Dreams: the 19th-century transformation of Paris coincided with the birth of photography, and the rise of archival photographers who snapped parts of the city either rising or falling. Our portfolio shows these precious images.

ESSAYS: Writing Gay by Edmund White…Indie Eye (2) by Kush Varia…The Decay of Lying by Oscar Wilde…Teenage Transformer by Charlie Vázquez

POETRY by R.J. Gibson, Brian Brown, Matthew Hittinger, Michael Montlack, Ron Curlee, P. Viktor, David Bergman, Sean Patrick Conlon, Robert K. Müller, John Stahle

FICTION: A Jury of Her Peers by Susan Glaspell…Lots by Marc Andreottola…Adolescence by Glenway Wescott…Slavic Thickets: Two Stories by Boris Pintar…Bergdorf Boys (1) by Scott Hess

ART PORTFOLIO: Swan Princes: Paintings of Hernan Bas

PHOTO PORTFOLIOS: Bastien Bucquet…Luis Alvarez…Andre Bernardo…Iain Clacher…Andrea Pedretti…Charles Marville and early photographers of Paris…Josiah Shelton…Niro Taub

 

 

Ganymede #5 issue (Oct. 2009): to purchase click go to: http://stores.lulu.com/store.php?fAcctID=1308479

 

 

6×9” perfect-bound paperback, 344 pages
Black and white inside pages, full-color laminated covers (click each below for larger view). Design: John Stahle Graphic Design

 

 

 

Watch this short clip of me reading in NYC, courtesy of WepaTV:   http://blip.tv/file/2478867/

 

¡Besos y abrazos! 

 

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Published in:  on September 15, 2009 at 12:48 AM Comments (2)